An image from one of my projects is featured on the cover of the current issue of the Canadian Bulletin of Medical History (30.1). It is an illustration by Dr. Ingrid Laue who was the editor of “The Bolster, ” the newsletter of Vancouver fat acceptance organization Large as Life (LAL). LAL was active in Vancouver between c. 1981-1985. The group organized fitness classes, swimming nights and fashion shows for fat women only. About 120 women were members over the years, and “The Bolster” had 500 subscribers.
Laue used clip art to put together this cover. What makes it special is that the two foremost figures, the woman in black and the golfer, have been enlarged by hand. Laue wanted the images to reflect women who were actually “ample.” Since it was not easy to find clip-art of large women she instead added to the images herself.
The desire to enlarge clip-art to make bodies larger is indicative of the erasure of images of fat women in contemporary culture. Fat bodies aren’t a part of the stock images stored, photocopied, cut and pasted into documents to illustrate fashion, parenthood, childhood and work. Large-sized clothing is rarely stored in archives, displayed or studied by fashion historians. And, beyond greeting cards and post cards poking fun at fat people, it is still rare to see large bodies displayed as art in contemporary society.
Laue’s images also help us to see that women respond to images of beauty and health in unexpected ways. Rather than use an image of a smaller woman or no images at all, she chose to enlarge and sketch images herself. This, to me, is a modest example of the ways that women talk back to popular culture and body norms. Laue and other members of LAL were not willing to accept the erasure of fat women from popular culture and so they chose to create images of women, as well as social sites and services (aerobics and dance classes, clothing swaps), for fat women.
When we talk about popular culture, in this case I’m talking about the media, beauty and fashion industries, we tend to assume that women are the victims of the monolithic and uncreative images of femininity presented in mass media. But Laue’s images are a reminder of the creative responses women have to culture. And, they are also a reminder of women’s desire to expand our culture’s understanding of beauty to include different shapes and sizes.